The “Early Music Review” about “Clori, ninfa e amante”

A gentle recording, this disc is as much a showcase for the plucking skills of Lonardi, Mela and Micheli as it is for the precise voice of Renata Fusco. The most substantial pieces are the two continuo cantatas, affectingly and effectively performed; their subtle charms are fully realised by the ensemble, whose delicate accompaniment allows Scarlatti’s meticulous word-painting and fluent melody to glow. […]

Alastair Harper – Early Music Review, February 2014